glad to know my words help even a bit i guess the only way to improve its to pratice all u can, and ofc understand what u doing and most of all enjoy it keep improving matte, i'm loving this book
Nice SB. I hit the anatomy books as often as I can. They are a great way to study without having inspiration. Awesome worx all together. Definitely a 5 star thread. Cant wait for more.
Great sketchbook. Nice mix of styles and good work from reference. Can't see one real obvious area to crit, so just keep at it.
Look forward to seeing more.
my sketches here... http://conceptart.org/forums/showthread.php?t=92997
www.sevans.co.nz , visit them or a puppy dies!
hey man I bookmarked you, post more!
i see a certain regression towards the end of your work, towards something more formal and constructive and i must proclaim that one must seek the ever transitory form of nothingness. the idea is that form is emptyness and it is blatant that you are digressing from this intrinsic matter.
the sensei shall return with more words of wisdom, offf woopatson.
Not a single crit from me, you're most absolutely definitely on the right track~looking forward to seeing more.
Your renderings made me cry a bit(in a good way though :]) Oh and thanks for stopping by my little 'book!
http://www.spatsart.com/ - blog
Your rendering style is very good, i can never achieve that smooth touch when rendering with pencils. I appreciate your dropping by my sketchbook.
just a quick update, cus, well, i can.
oh, and, new drawin begun. plus pics of me old and new sketchbook, for funsies. these are actually great books, real nice paper, and look proper fancy, which is always important .
wow man, keep it up. im very impressed
Great stuff man, post #22 is is awesome.
post number 22 is shit. as for your rendering..
Sweet stuff, i see you learn from Hogarth, awesome books!
Simply amazing acrylics painting you have there, i love it!
Whoa man, your rendering skills are extremely sick. Ever get much life drawing in? It can be fun and invigorating when the Hogarth studying gets a tad stale. Plus it's part of a balanced daily breakfast.
And those really are damned fancy sketchbooks!
Very awesome stuff man, keep it up.
Great SB. Dig the acrylic and venom page, but silent velcro has to be my favorite. That one gave me a good chuckle. Your pencil work is awesome, please post more!
Watch out for Piranhas
*bump* More wookiedabo art, your public demands it!
Look, see! Nifty art! http://www.conceptart.org/forums/showthread.php?t=99803
Hey! Check out my blog here
bo peeps. i have no way to possibly explain this lenght of absence, so...... i wont. but here is some recent biro stuff to get me back on track. sorry bout the shite scans.
erm, bit of a time out again, so this time i'll make no promises eh...
anyway, this is just a real brief selection of what ive been up to. moleskine spreads are recent, character designs fairly recent, and other schtuff is coupla months old or so.
Hello, was just looking at your sketchbook and I'm in awe of your pencil work. Also cool to see a mix of different styles in your SB. Anyways, keep up the good work!
your pencil rendering is great. and I really enjoyed your recent fashion drawings with bits of newspaper and moleskine pages.
hulk looks massive.
aefx: cheers fella, haven't really been doing in depth pencil studies for quite some time now, probs should get back into the habit of doin em again. as for the mix of styles, just haven't found the groove yet, just gotta keep workin at it from different angles i guess.
monotony: thanks man. the fashion newspaper stuff is done with scotch tape, using that to pull the print off newspaper, awesome technique for when ya get bored and frustrated, and wanna try summat new.
more moleskin pages for today...
1. sandman-inspired spread. used references for the kids, kinda phucked up the middle one, and then used the reference much more loosely on the bigger kid, worked out much better
2. ross noble kinda charicature.
3. head on the left is without reference, hence screwed up proportions, head on the right is my lil bro.
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