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Thread: Tale Of A Yearning Supposition Virtuoso!!! Mannyhaatz joins the fray!

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    Tale Of A Yearning Supposition Virtuoso!!! Mannyhaatz joins the fray!

    I'm Mannyhaatz and this is my new and improved sketchbook! I originally had an account here 5 years ago and went by the name WantsToBeA2dArtist (before the revamp happened, before my entire gallery got deleted). I have a sketch book on deviantART AND CRIMSON DAGGERS, but I wanted to expand my studies to a more professional atmosphere so I can be critiqued harder and much more often. This site has a larger following so....makes sense, right?

    Anyways, let's get to the nitty gritty; I'm about to transfer all of my work as of January 30th from CRIMSON DAGGERS tonight to get everyone caught up with my progress and focus.

    For a complete list of my studies and progress since the inception of my art history visit:

    http://mannyhaatz.deviantart.com/gallery/?offset=48

    EDIT: FEBRUARY 12TH 2013

    I am revamping my deathline and sketchbook to accommodate my new goals, my new habits, my new future.


    Starting today, the moment after this post publishes, my goal to be professional video game concept artist will be on the fast track: I am striving to become one in 179 days; August 10th 2013 11:59pm

    There is nothing else left to say.

    If I don't finish this deadline...
    If am not successful...

    EDIT: MARCH 5TH, 2013

    *OFFICIAL SCHEDULE:

    Monday:

    6:45am-8:45am Loomis: Successful...
    10:30am-12:50pm Figure Drawing Class
    4pm-5:30pm Loomis, Figure Drawing...
    6pm-8:45pm Loomis, Drawing tHE hEADS...
    10pm-12am Portrait Study (A cool down before I sleep)

    Tues: (If I don't Work)

    8am- 10am Loomis: Sucessful Drawing...
    10:30am-12:30PM Loomis: Figure Drawing...
    12:50pm-2:10 (at barnes n noble) Loomis, Successful drawing...
    3:30pm-5:30pm Loomis: Heads n hands...
    8pm-10pm Head Application (with references)
    10pm-12am Figure application (with references)

    Tues: (If I DO Work)


    8am- 10am Loomis: Sucessful Drawing...
    10:30am-12:30PM Loomis: Figure Drawing...
    12:50pm-2:10pm Loomis, Successful drawing...
    AFTER WORK: 1hr self Portrait

    Wed or Thurs

    6:45am-8:45am Loomis: Successful...
    10:30am-12:50pm Figure Drawing Class
    1pm-2pm Loomis: Heads
    6pm-7pm (Rotation per week) Head, hand, or feet application (w/ and w/out references)
    7pm-8pm Visual Library Expansion Pack Download

    Wed or Thurs

    8am- 10am Loomis: Sucessful Drawing...
    10:30am-12:30PM Loomis: Figure Drawing...
    12:50pm-2:10 (at barnes n noble) Loomis, Successful drawing...
    AFTER WORK: 1hr Figure Stock Study

    Friday (Work)

    8am- 11pm Stock Face Painting
    11pm-3PM Stock Figure Painting

    Sat (Work)

    8am- 10am Hand or Feet study (Alternating Weekly)
    10:30am-12:30PM Hand or Feet application (with references)
    1pm-2pm Self Portrait
    2pm-3pm 1hr Stock Figure Study

    Sun: (Work)

    8am-9am Stock Face Reference Applicatioin/Study
    9am-10am Sock Figure Reference Application/Study
    10:30am-11:30am Research Generated Character Assets
    11:30am-3pm Draw Concept of Generated Character


    I plan to supplement other books and methods within my other studies (Norling's perspective with Loomis's Successful Drawing...etc)
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    Last edited by Mannyhaatz; March 5th, 2013 at 03:04 AM.
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    I am currently reading many of the Loomis books but the majority of my studies came from "Heads and Hands" (that would be the reason for the head spamming. Haha). My sketch book is lacking original character concepts and other creative works. However, nearly all of my sketches are drawn from my imagination, and are application sketches, cementing my studies in my head.

    I am taking a life drawing class this semester, so many of my uploads will consist of charcoal drawings and gesture drawings. I am a part of a two man partnership on CRIMSON DAGGERS, so alot of the posts will also contain challenges between us and characters with attributes randomly selected n a character generator. This solves the Lack of Creativity problem that has plagued me for so long!

    I would like to have many critiques in the future! Until, then I will continue posting daily!!
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    I'm studiyng loomis too, really great to begin with, what I would suggest is that you draw with a lighter line at first and then reinforce just the important ones, I hope that makes sense

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    Thank you, I have been trying to place more emphasis on that in my later drawings. I s it noticeable in comparison?
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    [/QUOTE] draw with a lighter line at first and then reinforce just the important ones, I hope that makes sense[/QUOTE]

    oh.... like contour line? I think I understand. Sort of like drawing with purpose; planning ahead and really thinking about the strokes before you apply the strokes on paper...
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    Hello, Yea, Loomis rocks! It seems you have the same problem as i do, jaws, especially when the character is looking up, its a killer pose. maybe try to draw some skulls, it helps to understant the form and proportions. And when you're doing those cross sections for the eyebrow and middle line, maybe draw them all around the head, that helps me at least. Keep it up!!

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    Quote Originally Posted by Mannyhaatz View Post
    oh.... like contour line? I think I understand. Sort of like drawing with purpose; planning ahead and really thinking about the strokes before you apply the strokes on paper...
    It's hard to explain because english it's not my primary language, it's like, you do the construction lines really soft, barely visible, and after you have everything lay out you just reinforce the important ones, the real drawing, without the construction lines, I really hope that makes sense

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    Quote Originally Posted by pavolsvk View Post
    Hello, Yea, Loomis rocks! It seems you have the same problem as i do, jaws, especially when the character is looking up, its a killer pose. maybe try to draw some skulls, it helps to understant the form and proportions. And when you're doing those cross sections for the eyebrow and middle line, maybe draw them all around the head, that helps me at least. Keep it up!!
    Yeah, I've learned A LOT from him! Yes, I have gotten better with that angle, but clearly, it still isn't correct. I was starting to settle on that pose....thank you for the advice, and bringing that back to my attention!
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    @M.Calza I do understand now, and it makes sense. I saw your sketchbook and I can see how and where you applied that method. Thank you for the advice, I am very grateful

    Thanks you guys, be sure to come back often! This advice is very important, and I would like to see if it is noticeable on my future sketches. Good luck to you all!
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    Two life studies of a model and two updated entries from my sketchbook.

    My charcoal studies of the model are improving; I'm learning to build the body using a square/cube method. Works wonders when drawing from a foreshortened perspective.

    Practiced drawing heads using pen so I wouldn't be tempted to erase mistakes...helps me focus on line more. I also practiced drawing heads no refs. with fully mapped out features.

    I need to produce more work faster per day. Gotta really try harder. This is frustrating.

    Please, all advice and critique is welcome...
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    I know how frustrating can be, but you have to get over it, about the heads try to mix referenced and non ref studies, so you can compare and see what you're doing wrong, when referencing don't just copy but try to understand.I'll wait for more!

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    Ok, that's a good idea; i rarely draw heads from "reference" because they always become direct copies. I 'm going to start using a reference and mix it up a bit in my sketchbook.
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    Thank you for using your own time to aid me in my studies...I can't even express how grateful I am.
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    Faragasso Figure studies. Direct Copy
    20 minute figure drawing with emphasis on value. Direct Copy
    30 second and 60 second gesture drawings.
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    MadGrav is offline Registered User Level 2 Gladiator: Ordinarii
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    Nice studies there. If you are practicing heads (angles and features) be sure to check Proko videos on YT. It helped me a bit (although I'm a beginner too). There is also another site for gestures called posemaniacs.

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    Happy to help , after you make your studies remember to apply it on things from imagination, so you can fix what you learned. I don't know Faragasso material but if you like it keep with it, but i highly recommend Michael Hampton for anatomy, he makes it really simple IMO.
    And I just saw that you update your original post, I think your goal is insane but please prove me wrong! Don't stop!

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    Another great idea! That's what I attempted to do with my head studies, and like you mentioned before, I should do more heads from actual references to understand what I am doing wrong then correcting upon them.
    Your advice goes hand in hand, which is very helpful, as it is convenient!
    What I want to do with head and facial construction, as well as figures sometime in the future, is to draw from reference, then no ref (applying what I have observed), and reviewing material in a book (loomis more than like for heads)
    Faragasso's Drawing the Human Figure is my first book on figures besides Figure Drawing For all It's worth...so it's hard to compare usefulness. I will definitely look at Michael Hampton's book on anatomy as well.
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    Quote Originally Posted by MadGrav View Post
    Nice studies there. If you are practicing heads (angles and features) be sure to check Proko videos on YT. It helped me a bit (although I'm a beginner too). There is also another site for gestures called posemaniacs.
    Thank you! I've heard of Proko videos, but haven't really used it...sounds like it may be of some use! I use posemaniacs and pixelovely for gestures; a very nice site indeed!
    I'm grateful!
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    Hey dude! Its been a bit since I've come by your sketchy... but woooooooweeeee do I see improvement!! You really and truly are improving, look at those lines! I see a buttload more confidence already and it hasn't been long at all! that 20-30min sketch looks spot on and your refless faces are becoming more realistic with every one
    Keep at it and remember: 'success has been and continues to be defined as getting up one more time than you've been knocked down.'
    I'll be here with the Daggers for the rest of my art journey.
    Keep pushing people, let us be great together-!

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    Quote Originally Posted by smrrfette View Post
    Hey dude! Its been a bit since I've come by your sketchy... but woooooooweeeee do I see improvement!! You really and truly are improving, look at those lines! I see a buttload more confidence already and it hasn't been long at all! that 20-30min sketch looks spot on and your refless faces are becoming more realistic with every one
    Keep at it and remember: 'success has been and continues to be defined as getting up one more time than you've been knocked down.'
    Yes, "long time no see" ahaha, Thank you!!! Man...I really am trying, very hard! Thanks for the motivation; it's easy to become frustrated sometimes, I guess that's a good thing!
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    Another sketchbook update: gestures (30sec, 1min) a 20 min figure study, anatomy studies from Faragasso and head studies from andrew loomis plus references and original applications.

    Tear it apart.
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    Your heads are already better than the first post man! Just keeping going, remember it takes time, but you'll do it! No suggestion just some motivation from your stalker this time

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    Wasn't a fan of this session haha! I couldn't focus and I was procrastinating for some odd reason

    Well, here ya go: 30sec and 1min gestures, and facial feature studies (mouth, eyes, and nose)

    Tear it up.
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    Thank you! Odd enough, your presence in fact gives me a sense of direction. Can't explain it...anyways, thanks for checking on my sketchbook consistently!! haha!
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    I see life in your recent head sketches! Fantastic!
    You're bustin' your balls and it's really paying off dude
    Keep it up, don't stress but enjoy the little things - and always remember: you will be great one day.
    I'll be here with the Daggers for the rest of my art journey.
    Keep pushing people, let us be great together-!

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    Nice stuff man. The feature studies will definitely help you with drawing the face from imagination. I need to go do some of those as well, ahaha. And the norefs are good as well. Good that you're analyzing your work critically, you are your own greatest enemy. Look through the paper backwards through a light if you have to. If you make a mistake or aren't happy with what you drew, don't be hesitant to do the job over again.
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    Quote Originally Posted by Nexuun View Post
    Nice stuff man. The feature studies will definitely help you with drawing the face from imagination. I need to go do some of those as well, ahaha. And the norefs are good as well. Good that you're analyzing your work critically, you are your own greatest enemy. Look through the paper backwards through a light if you have to. If you make a mistake or aren't happy with what you drew, don't be hesitant to do the job over again.
    That's a good idea, and Yeah I figured that my studies of the head wouldn't be as wholesome if I ignored features.
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    Excuse my hiatus, had to deal with school work and burnout. ANYWAYS, I researched a bit and found a direction in my studies so that they aren't so blind.

    As always: 30sec,60 sec gestures and NEW!: PERSEPECTIVE OOOOOOOOoooOOO! hahaha breaking out the comfort zone....and I am beginning a new method of studying figures: I am sticking with ONE book for my core anatomy study. I will supplement from other sources once I progress.
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    Perspective and Anatomy: Heads.
    Wow...I think I improved a bit in my head studies. Oh, and so far, my perspective studies are fun!
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