Santa Claus- Thanks for the crits, you jolly old elf.Ah, you've probably heard 'em all. Oh well. Anyway, I'm basically painting on top of all the old layers anyway, so there shouldn't be too much of a problem. I'll add some mist or something between the tree and the robot on the rocks, and make the foreground very sharp and high contrast. I'll add some elements off in the distance for depth, as you suggested.
Bard- Thanks, man! I'm looking forward to the day when people will go "I love your robots and vehicles!" in the same way they do my creatures. Got more work to do.Going to grays before color has its advantages. You can work out a very nice value composition before complicating things with color. My first two thumbnails for the most recent EoWs were done in values before being colorized. When working on my most recent thumb, I had to constantly desaturate it to check out how the values were working together. As for my school, I'm just going for an associates degree at my local community college. I'm undecided as to whether I want to go to a formal art school, with all stress and expense that that entails. I'm definitely going to apply for the CA.org atelier next time there's an opening, though!
So, on that note, gotta go draw. (Actually, work on an essay
)





Ah, you've probably heard 'em all. Oh well. Anyway, I'm basically painting on top of all the old layers anyway, so there shouldn't be too much of a problem. I'll add some mist or something between the tree and the robot on the rocks, and make the foreground very sharp and high contrast. I'll add some elements off in the distance for depth, as you suggested.
Going to grays before color has its advantages. You can work out a very nice value composition before complicating things with color. My first two thumbnails for the most recent EoWs were done in values before being colorized. When working on my most recent thumb, I had to constantly desaturate it to check out how the values were working together. As for my school, I'm just going for an associates degree at my local community college. I'm undecided as to whether I want to go to a formal art school, with all stress and expense that that entails. I'm definitely going to apply for the CA.org atelier next time there's an opening, though!
So, on that note, gotta go draw. (Actually, work on an essay
)
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I have art class today, so I know I'll do enough for at least a little bit of an update. Until then, just this pencil sketch. The centaur-like Andalites are another Animorphs species, and one of the more technically advanced and powerful races. They also have a bit of an unusual biology; instead of eating with mouths on their faces, they crush and absorb grass with their feet. I took the concept in the book a little bit further and added some grinding teeth and a mouth.
I also went a bit farther than the book by adding breasts to the female's upper body. The book, being for kids, doesn't mention stuff like that, so I was basically left on my own. My logic was that breasts on the upper bodies would condition infant Andalites to fixate more on the upper bodies, rather than the lower bodies. However, I just realized, right now, in this very moment, that Andalites, being foot grazers, probably wouldn't need any at all. Damn! They're that much less sexy, then.
). I'm not offended at all by you calling my creatures cute. I myself think that almost every animal is cute, except for some of the creepier arachnids (solfugids, whip scorpions, purseweb spiders...:shudder: ). Thanks!

Can tell your keeping yourself busy. Sorry for being gone for awhile, and not updating. But I'm back to normal now. 


Prepare for some fun submachine guns and maces!
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