more:
more:
Ink and watercolour:
Another one. These are fun to do![]()
More fat cat sketches:
Interesting development!
Fatcat is adorable! The work in your last three posts makes me remember the good ol' days when I was having fun with picture books. Good stuff! The colour studies are pretty cool as well. Well done![]()
I definitely feel you going in a different direction with these squid, although I don'y know what that might be. Maybe children's stories or something. I think you've done a similar series before but I can't be sure. Perhaps you should try a little animation of the cat in CS3. That'd be cooooooool!
Thank you guysYeah, pics were definitely made with a younger audience in mind. Well, they were made with editors for books aimed at a younger audience in mind, to be more precise
![]()
cout - I've found that thinking in terms of key frames often makes for good cartooning. I'm glad you sort of picked up on that
Here's a page from my moleskine. Preparatory sketches done with graphite and colored pencils. Cut 'n' paste due do difficult lighting - basically had to light the page from two angles, then sloppily merge for acceptable value / hue replication.
Hey Mr. Monk, cranking out awesome work as always i see. Thanks for that Cthulhu walkthrough on the last page. I can get lost in your penwork for hours. I always leave here feeling lazy, so thanks for constantly kicking my ass, makes me strive to work harder.
These last couple of posts are neat too, i love your ability to switch between styles and always look confident doing so.
Always a pleasure to be here, can't wait to see more!
ennm……lovely style,this is like the watercolor,Gutty and pure and fresh feeling,keep up bro.
Thank you very much, Mr AustenFM and LAL
Here's a portrait done with ink and an editorial illustration done with acrylics.
Last edited by squidmonk3j; October 15th, 2010 at 04:03 AM.
cool updates as usual man, love the acrylic paintings and studies, and the fat cat!
as Austen said, its great to see you jump from one style/technique to the other![]()
Nice work, with your signature patterning in the man's hair too![]()
I really like the last one, looks beautiful!
Thank you very much, guys
Been busy with work and stuff, but here are some sketches I did in preparation for a personal christmas card project. The idea is to create a fairly simple basic motif, trace that onto a bunch of pre-cut cards, ink an watercolorize them all (using this set of initial sketches as a rough guide) - and voilà, hand-made christmas cards!
It's a nice idea, I think - but time-consuming. So, most likely I'll stick to the motif with no background...if I'm at all able to go through with this. But still, these test / variations were fun to do.
In addition to ink and watercolor, I used white crayons for masking off areas. Oh, and sandpaper. And a knife.
Nice series, and hard to pick a favorite. For masking off areas: There used to be this rubbery, transparent liquid in art stores that could be peeled off afterwards. Ever tried it? Sounds like something you could enjoy.
Yeah, masking fluid - the destroyer of brushes and paper surfaces!I prefer it over masking tape, but I find it almost as treacherous as far as tearing is concerned. It's a precise tool, though, and would probably be a far better choice for the christmas cards. I should order some.
Masking with crayons is a hit-and-miss kinda thing, and can result in some interesting textures. The following color illo was done with ink and watercolors...I painted in the fox and butterfly first, added a crayon mask, and then did the two background washes + forrest details.
The portrait is all inkwork.
Amazingly well done works. I especialy love the ones with a cute cat)
here is my sketchbook
Thank you, umbinc
Here's...uh, a pastel doodle. I'll say no more![]()
Pen and ink from the archives:
I adore your cartooning and watercolor application! Definitely seems like something I'd want on a birthday or xmas card someday. Great work!
Thank you, ceeche
A crappy photo of random thumbs from my moleskin:
Pastel doodle + PS:
Charcoal and pastel sketch, on cardboard.
Sealed the charcoal and pastel sketch with some acrylic medium, slapped on some acrylic paint. The active surface is approx 3,5x3 inches.
The spread is from my sketchbook. That's where I get my ideas from.
Detail of reference composite.
Built a reference maquette, photographed it, imported photo to PS and turned some dials.
Pastel on cardboard + process. Approximately A4 sized. Didn't bother with proper white balancing until the later stages of the work, which explains the differences in color temperature. The process shots should be fairly self-explanatory.
Awesome series of process shots on this last piece dude, where it started and where it ended are almost 2 complete different ideas, but in the end you wound up with a much stronger piece. I also really dig that you're constantly making up environments, i really need to get into that habit.
Great work as always, you're my CA hero! Thanks for always keeping my brain turning.
Thank you very much, AustenFm - I am humbled and honoured!
Portrait, done with ink:
An 8-page long comic, done for a norwegian magazine. It's been a while since i worked with sequentials, so it was something of a struggle. Still, fun to do![]()
There are currently 1 users browsing this thread. (0 members and 1 guests)
Bookmarks