oooh i like whats going on in here! lots of focus on fundamentals that is the absolute right decision, keep doing that, im sure everyone told you about proportions and all of that, what i would like to bring out is the dynamic aspect of the figure, i recommend you to look for michael d mattesi book is called FORCE its quite famous for animators and artists so it should not be hard to find, this book took the way i see the figure to a next level since mattesi speaks of the quality of the line and how it impacts the way we draw the figure, plus the method it teaches you its very flexible so you can take what you want from it, keep on going miss, you could make a very, VERY big jump this year if you keep working harder and focusing on your weakpoints wich so far the few i can notice are:
-Your line is very sketchy try to make it more flowing and loose (warm up your elbow and arm before starting a session and always try to make confident and determined lines)
-your quick figure sketches dont capture as much info as they should, read upon the essential information needed to build a pose (flow line, center line, tilt of the torso vs the pelivs, where the feet are in space)
-practice seeing and working with negative and positive space, possibly the best tool for making quick gestures.
-do some real reading on perpective and PRACTICE it, this is my personal biggest flaw and i think everyone should take a moment in their schedule to improve on perspective and how the forms work in space with each other
-and last this is only a suggestion, chose your favourites landmarks in the body and get comfortable using them, for an example i personally use alot the clavicle, the nave, and the pit of the pelvis alot to find how a pose is being build.
im being critical on your stuff because i really would like to see you improve

i do see talent but its all behind the insecurities of your line, you need to destroy them! and let the true artist breathe through your work.
keep rocking!
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