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Thread: Fun With POSER!

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    jfrancis is offline The God of Hellfire Level 6 Gladiator: Provocator
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    Fun With POSER!

    Actually I could have titled this, "A Practical Guide to Actually Memorizing Anatomy"

    The problem with leafing through anatomy books is that I get the impression I am learning more than perhaps I really am. I think I've learned something, but when I go to apply it later, it all seems so vague.

    For me, a systematic approach and plenty of repetition are what help me really learn the details.

    The poser skeleton is not perfect, but it's not too bad. I like to render it in different positions and print the skeleton poses onto work sheets. For each pose, I find a muscle -- the deltoid, say -- and I draw it in position onto every skeleton worksheet I have.

    When you have to really place it, you have to take the time to see exactly where on the clavicle the anterior head goes, and exactly where on the scapula the rest of it goes.



    Same with the rhomboids. Here as well, you have to see from just which edges of the scapula they come, and just how high on the spine they go.

    -----------

    Why do all this?

    If you know and can draw a skeleton, and if you know and can place the muscles, you'll have gone a long way toward drawing complex, well realized figures from nothing more than your imagination. And regardless of how important life drawing may be -- it's a fun thing to be able to do without reference now and again.

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    Judy Warner is offline Registered User Level 2 Gladiator: Ordinarii
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    poser fun--

    These are really helpful, thanks---Judy

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    jfrancis is offline The God of Hellfire Level 6 Gladiator: Provocator
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    Thank you!

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    egerie is offline Hardcore Veteran Level 15 Gladiator: Spartacus' Hoplomachi
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    I think that's a great exercise. But I also beleive skipping the osteology part could impair a lot of artists too. Personally, posing a skeleton and knowing how it looks first is better. It's like building a house ; I prefer to make a really good frame first and understand how it works first.
    What I think is the best thing to do is a) draw a model from life, making sure it's really really well proportionned. b) pose the skeleton on top of your drawing with, of course, a DETAILED anatomy book at hand. c) draw on top of all this the underlying muscles or jump straight to the superficial mass muscles.
    It's my 2 cents on how I've been taught and what I recommend to my students, but I'm elated someone else is doing something similar

  5. #5
    jfrancis is offline The God of Hellfire Level 6 Gladiator: Provocator
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    I completely agree with you; skipping the osteology all the time is wrong. This is just one activity I like to do and wanted to share. I'm not suggesting it to the exclusion of other learning activities.

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