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Thread: Teun's sketchbook silliness - exploring the traditional medium (December 30th)

  1. #661
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    Teundeboer is offline Registered User Level 8 Gladiator: Thracian
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    karmazon "they don't look sloppy at all." That's one of the milder compliments I've ever received ^^. Uhm, most of these are around 2-3 hours. Some larger/more complicated/detailled ones take a little longer. The Bouguereau girl for instance took around.. 8 hours I think to complete. Hope this gives you an idea, thanks for the comment.

    A silly selfportrait.
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    GEB

  3. #662
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    MeteorCat is offline Graphic Design & Animation Student Level 6 Gladiator: Provocator
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    Awesome. I honestly don't post much because I have no critique to give. I just enjoy watching you progress and paint.
    Free for commissioned work

  4. #663
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    Teundeboer is offline Registered User Level 8 Gladiator: Thracian
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    MeteorCat Thanks for the support.

    Another quicky.
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  5. #664
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    kasblue is offline the wizard of flaws Level 5 Gladiator: Myrmillo
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    that selfportrait is awesome. ur study of colors and light is really good.

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    I wish i could paint like you, amazing

  7. #666
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    Teundeboer is offline Registered User Level 8 Gladiator: Thracian
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    DaevidK I'd put my ambitions a little higher if I were you, all ya gotta do is practice.

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  8. #667
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    Not the greatest result, let's blame it on it being sunday.
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  9. #668
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    Teundeboer is offline Registered User Level 8 Gladiator: Thracian
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    A little something I started after I got back from school, will probably finish it tomorrow.
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  10. #669
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    Goremageddon is offline Registered User Level 2 Gladiator: Ordinarii
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    You´re unstoppable! Amazing.

  12. #671
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    kasblue is offline the wizard of flaws Level 5 Gladiator: Myrmillo
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    lovely painting.

  13. #672
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    Teundeboer is offline Registered User Level 8 Gladiator: Thracian
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    Goremageddon Gotta keep on truckin.
    kasblue Thanks

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  14. #673
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    Teundeboer is offline Registered User Level 8 Gladiator: Thracian
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    Finished a project at school today, we set up a skull and every monday we'd change the lightsource and do another painting.
    Most of these took around 3 hours each.

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  15. #674
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    A new painting, starting with the fun stuff.
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  16. #675
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    Teundeboer is offline Registered User Level 8 Gladiator: Thracian
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    Some more progress.
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  17. #676
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    Finito
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    And a self portrait I did at school.
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    Last edited by Teundeboer; November 20th, 2012 at 11:00 AM.

  18. #677
    Goremageddon is offline Registered User Level 2 Gladiator: Ordinarii
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    The nude portrait like you have up is exactly what I would like to become good at and what I would love to one day master.Do you have any tips to become good at it? I already attend nude drawing classes. Do you think that using charcoal over pgraphite would help me in the future with oil?Any books you recommend me buying? I have tons of questions about this but I don´t wanna fill your sketchbook with questions that might be useless for the rest of the people here

  19. #678
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    Teundeboer is offline Registered User Level 8 Gladiator: Thracian
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    Goremageddon Looks like we share a common interest, I would too like to one day master the figure. Let's see, I think charcoal is a much more practical material than graphite for figure drawing, simply because of its speed. You can just whip up some lines, and get rid of em with your hand if you don't like them. And using the side of the charcoal for shading/establishing planes is something graphite does not offer. Before diving into oils/colors, you must first have a basic grasp on proportion, lines and shading. At my school we spent the first two years drawing exclusively with charcoal, before ever touching oil paints. I myself have spent a lot of time copying Bridgman and Loomis, Bridgman is available for purchase, "Constructive anatomy" is a book I'd recommend. Loomis is no longer published but e-books are still on the internet. http://www.placidchaos.com/AM/index..../andrew_loomis I have printed and bound some of these, and I find them very helpful.
    Finally, when trying to master colors and oils, drawing/painting from life will always be better than drawing from photo's. So if you can, try to focus on that. At least, that's what I'm doing.
    I hope this helps, and I hope we will both one day master the human figure.

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  21. #679
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    A painting of Edward Norton (Fight Club)
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    A quick study of amelie
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    And 4-5 hours into a still life setup that I hope to complete tomorrow.
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    kyle1871 is offline Registered User Level 1 Gladiator: Andabatae
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    woohooooooo!!!
    really really personality!!

  25. #683
    kyle1871 is offline Registered User Level 1 Gladiator: Andabatae
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    woohoooooo!! that's really cool!!
    l love the paint!!

  26. #684
    Wuggy is offline Ari-Matti Toivonen Level 2 Gladiator: Ordinarii
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    This is why I love looking at long sketchbooks. From looking the first few to the last few pages and seeing the last few and there's an absolutely enormous jump in progress. It makes me a tad less frustrated with myself.

    This was a subtle way of saying: I love your work.

  27. #685
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    kyle1871 A double "woohooo!!" my my, that's quite the compliment.
    Wuggy Being able to see my own progress is one of the main reasons I maintain this sketchbook, thanks.
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  28. #686
    Goremageddon is offline Registered User Level 2 Gladiator: Ordinarii
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    Video tutorials please? :X

  29. #687
    hiddenfactor is offline Registered User Level 1 Gladiator: Andabatae
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    [QUOTE=Teundeboer;2129544]As suggested, I did some studies. Both human and animal .
    (The monkey is non ref, and therefor looks strange)

    I like these. I actually like the non ref monkey. To me, when you try to draw something from memory, that's when you get something new or a fresh take on the subject. If I just wanted a drawing of a monkey, I'd Google that and find a million that look the same. The good thing about non ref is that no one else can recreate what you've produced without copying your style.

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    Goremageddon Don't be silly, I watch video tutorials, I don't make them.
    hiddenfactor I get your point, but I feel like I should first learn to draw from observation before I start taking my own path. Kinda like you gotta learn to write before you write poetry.
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  31. #689
    Goremageddon is offline Registered User Level 2 Gladiator: Ordinarii
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    I was recently in Louvre for the Raphael exhibition and according to what was written even the Great Masters used reference a lot...and an interesting thing for me (I didn´t know this)...Can anyone recreate Raphael ro Da Vinci´s stuff? Not really, yet many of their works relied on references..they actually used the square method for accuracy with a wooden instrument.

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